
We are searching data for your request:
Upon completion, a link will appear to access the found materials.
We toured the gigantic brewery in D.C.’s Navy Yard
Jane Bruce
Some of Bluejacket's beers are aged in a variety of casks, including some that held wine and whiskey.
Barrels
Jane Bruce
Some of Bluejacket's beers are aged in a variety of casks, including some that held wine and whiskey.
Coolship
Jane Bruce
In the coolship, the wort is exposed to natural air overnight through the open vents, before the fermentation process begins.
Bluejacket Bar Area
Jane Bruce
Patrons in the bar area can look up and see their beer being brewed in the floors above them. All of Bluejacket's beers are temperature controlled, so each beer has its own temperature.
Beer List
Jane Bruce
The beer menu at Bluejacket is always changing, but always includes 20 beers on tap and five cask ales. Each beer has a detailed description as well as flavor profiles, ABV, and temperature all listed on the menu.
Beer Flight
Jane Bruce
From left to right: Field of Fire (a Scotish ale brewed with Scotch bonnet peppers), Lullaby (a Belgian-style wheat), an unnamed beer brewed in collaboration with Garrett Oliver from Brooklyn Brewery, and Heavy Meadow (an India pale lager).
Garrett Oliver Collaboration Beer
Jane Bruce
Fresh off his James Beard award win, Garrett Oliver worked with Greg Engert to create this sour beer for Bluejacket.
From Above
Jane Bruce
Patrons at Bluejacket sample beers at the bar.
Smothered Fries
Jane Bruce
For $9.50, get this huge bowl of decadent fries topped with their housemade General Satan’s sauce and scallions.
Frankenbutter
Jane Bruce
These fries are topped with their homemade (very spicy) hot sauce and blue cheese.
The visual album features the work of British-Somali poet Warsan Shire the mothers of Trayvon Martin, Michael Brown, and Eric Garner, who hold photos of their dead sons and appearances and contributions from African American celebrities and artists from Serena Williams to Kendrick Lamar. Jay Z also appears near the end of the film, and Ivy Blue Carter, Beyoncé and Jay Z’s young daughter, makes more than one appearance.
The cinematography and some of the actual scenes in the visual album strongly echo Julie Dash’s revolutionary 1991 film, Daughters of the Dust. According to The Washington Post, Daughters of the Dust is “widely recognized as the cultural antecedent” to Lemonade. NPR interviewed Dash about last year’s rerelease of her film. When asked how she responded to Lemonade, Dash said:
I was, in a word, enthralled. I was stunned. My mouth was hanging open a gap. I was so taken by the music, the visuals, the non-linear story structure. I was – I was in heaven. . . . I was very pleased. I was very pleased.
The visual album features the work of British-Somali poet Warsan Shire the mothers of Trayvon Martin, Michael Brown, and Eric Garner, who hold photos of their dead sons and appearances and contributions from African American celebrities and artists from Serena Williams to Kendrick Lamar. Jay Z also appears near the end of the film, and Ivy Blue Carter, Beyoncé and Jay Z’s young daughter, makes more than one appearance.
The cinematography and some of the actual scenes in the visual album strongly echo Julie Dash’s revolutionary 1991 film, Daughters of the Dust. According to The Washington Post, Daughters of the Dust is “widely recognized as the cultural antecedent” to Lemonade. NPR interviewed Dash about last year’s rerelease of her film. When asked how she responded to Lemonade, Dash said:
I was, in a word, enthralled. I was stunned. My mouth was hanging open a gap. I was so taken by the music, the visuals, the non-linear story structure. I was – I was in heaven. . . . I was very pleased. I was very pleased.
The visual album features the work of British-Somali poet Warsan Shire the mothers of Trayvon Martin, Michael Brown, and Eric Garner, who hold photos of their dead sons and appearances and contributions from African American celebrities and artists from Serena Williams to Kendrick Lamar. Jay Z also appears near the end of the film, and Ivy Blue Carter, Beyoncé and Jay Z’s young daughter, makes more than one appearance.
The cinematography and some of the actual scenes in the visual album strongly echo Julie Dash’s revolutionary 1991 film, Daughters of the Dust. According to The Washington Post, Daughters of the Dust is “widely recognized as the cultural antecedent” to Lemonade. NPR interviewed Dash about last year’s rerelease of her film. When asked how she responded to Lemonade, Dash said:
I was, in a word, enthralled. I was stunned. My mouth was hanging open a gap. I was so taken by the music, the visuals, the non-linear story structure. I was – I was in heaven. . . . I was very pleased. I was very pleased.
The visual album features the work of British-Somali poet Warsan Shire the mothers of Trayvon Martin, Michael Brown, and Eric Garner, who hold photos of their dead sons and appearances and contributions from African American celebrities and artists from Serena Williams to Kendrick Lamar. Jay Z also appears near the end of the film, and Ivy Blue Carter, Beyoncé and Jay Z’s young daughter, makes more than one appearance.
The cinematography and some of the actual scenes in the visual album strongly echo Julie Dash’s revolutionary 1991 film, Daughters of the Dust. According to The Washington Post, Daughters of the Dust is “widely recognized as the cultural antecedent” to Lemonade. NPR interviewed Dash about last year’s rerelease of her film. When asked how she responded to Lemonade, Dash said:
I was, in a word, enthralled. I was stunned. My mouth was hanging open a gap. I was so taken by the music, the visuals, the non-linear story structure. I was – I was in heaven. . . . I was very pleased. I was very pleased.
The visual album features the work of British-Somali poet Warsan Shire the mothers of Trayvon Martin, Michael Brown, and Eric Garner, who hold photos of their dead sons and appearances and contributions from African American celebrities and artists from Serena Williams to Kendrick Lamar. Jay Z also appears near the end of the film, and Ivy Blue Carter, Beyoncé and Jay Z’s young daughter, makes more than one appearance.
The cinematography and some of the actual scenes in the visual album strongly echo Julie Dash’s revolutionary 1991 film, Daughters of the Dust. According to The Washington Post, Daughters of the Dust is “widely recognized as the cultural antecedent” to Lemonade. NPR interviewed Dash about last year’s rerelease of her film. When asked how she responded to Lemonade, Dash said:
I was, in a word, enthralled. I was stunned. My mouth was hanging open a gap. I was so taken by the music, the visuals, the non-linear story structure. I was – I was in heaven. . . . I was very pleased. I was very pleased.
The visual album features the work of British-Somali poet Warsan Shire the mothers of Trayvon Martin, Michael Brown, and Eric Garner, who hold photos of their dead sons and appearances and contributions from African American celebrities and artists from Serena Williams to Kendrick Lamar. Jay Z also appears near the end of the film, and Ivy Blue Carter, Beyoncé and Jay Z’s young daughter, makes more than one appearance.
The cinematography and some of the actual scenes in the visual album strongly echo Julie Dash’s revolutionary 1991 film, Daughters of the Dust. According to The Washington Post, Daughters of the Dust is “widely recognized as the cultural antecedent” to Lemonade. NPR interviewed Dash about last year’s rerelease of her film. When asked how she responded to Lemonade, Dash said:
I was, in a word, enthralled. I was stunned. My mouth was hanging open a gap. I was so taken by the music, the visuals, the non-linear story structure. I was – I was in heaven. . . . I was very pleased. I was very pleased.
The visual album features the work of British-Somali poet Warsan Shire the mothers of Trayvon Martin, Michael Brown, and Eric Garner, who hold photos of their dead sons and appearances and contributions from African American celebrities and artists from Serena Williams to Kendrick Lamar. Jay Z also appears near the end of the film, and Ivy Blue Carter, Beyoncé and Jay Z’s young daughter, makes more than one appearance.
The cinematography and some of the actual scenes in the visual album strongly echo Julie Dash’s revolutionary 1991 film, Daughters of the Dust. According to The Washington Post, Daughters of the Dust is “widely recognized as the cultural antecedent” to Lemonade. NPR interviewed Dash about last year’s rerelease of her film. When asked how she responded to Lemonade, Dash said:
I was, in a word, enthralled. I was stunned. My mouth was hanging open a gap. I was so taken by the music, the visuals, the non-linear story structure. I was – I was in heaven. . . . I was very pleased. I was very pleased.
The visual album features the work of British-Somali poet Warsan Shire the mothers of Trayvon Martin, Michael Brown, and Eric Garner, who hold photos of their dead sons and appearances and contributions from African American celebrities and artists from Serena Williams to Kendrick Lamar. Jay Z also appears near the end of the film, and Ivy Blue Carter, Beyoncé and Jay Z’s young daughter, makes more than one appearance.
The cinematography and some of the actual scenes in the visual album strongly echo Julie Dash’s revolutionary 1991 film, Daughters of the Dust. According to The Washington Post, Daughters of the Dust is “widely recognized as the cultural antecedent” to Lemonade. NPR interviewed Dash about last year’s rerelease of her film. When asked how she responded to Lemonade, Dash said:
I was, in a word, enthralled. I was stunned. My mouth was hanging open a gap. I was so taken by the music, the visuals, the non-linear story structure. I was – I was in heaven. . . . I was very pleased. I was very pleased.
The visual album features the work of British-Somali poet Warsan Shire the mothers of Trayvon Martin, Michael Brown, and Eric Garner, who hold photos of their dead sons and appearances and contributions from African American celebrities and artists from Serena Williams to Kendrick Lamar. Jay Z also appears near the end of the film, and Ivy Blue Carter, Beyoncé and Jay Z’s young daughter, makes more than one appearance.
The cinematography and some of the actual scenes in the visual album strongly echo Julie Dash’s revolutionary 1991 film, Daughters of the Dust. According to The Washington Post, Daughters of the Dust is “widely recognized as the cultural antecedent” to Lemonade. NPR interviewed Dash about last year’s rerelease of her film. When asked how she responded to Lemonade, Dash said:
I was, in a word, enthralled. I was stunned. My mouth was hanging open a gap. I was so taken by the music, the visuals, the non-linear story structure. I was – I was in heaven. . . . I was very pleased. I was very pleased.
The visual album features the work of British-Somali poet Warsan Shire the mothers of Trayvon Martin, Michael Brown, and Eric Garner, who hold photos of their dead sons and appearances and contributions from African American celebrities and artists from Serena Williams to Kendrick Lamar. Jay Z also appears near the end of the film, and Ivy Blue Carter, Beyoncé and Jay Z’s young daughter, makes more than one appearance.
The cinematography and some of the actual scenes in the visual album strongly echo Julie Dash’s revolutionary 1991 film, Daughters of the Dust. According to The Washington Post, Daughters of the Dust is “widely recognized as the cultural antecedent” to Lemonade. NPR interviewed Dash about last year’s rerelease of her film. When asked how she responded to Lemonade, Dash said:
I was, in a word, enthralled. I was stunned. My mouth was hanging open a gap. I was so taken by the music, the visuals, the non-linear story structure. I was – I was in heaven. . . . I was very pleased. I was very pleased.